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38欢迎到豆瓣收听《废话燃料》第77届戛纳电影节相关节目，感谢豆瓣的支持！
作为今年戛纳主竞赛唯一一部国产电影，《风流一代》在卢米埃尔厅的首映堪称中国影人的大聚会。
很难用语言形容《风流一代》的故事，因为我们每个人都生活在这样的故事里面。“如此度过三十年，直到大厦崩塌”。
这期节目，试着聊聊贾樟柯这部跟以前作品截然不同的电影。他用20年的素材积累，在无意间触达了未来，触达了世界通用的电影语言。
本期节目还含有一个彩蛋，那就是科长本人的声音！在《风流一代》的华文媒体发布会上，我抓住机会向贾樟柯提出两个问题：从导演角度来看，赵涛是一个怎样的演员？为什么会选择在当下回望“我去两千年”的世纪之交？
希望能够给大家带来不同方面的解读和信息的补充。
0:28 开胃菜
1:15 戛纳电影节发生的“检票事故”
7:01 没票碰运气的观众推荐来瓦尔达厅，有票观众建议提早来
9:11 在欧洲观影迟到怎么进场？
12:25 主菜
14:12 《风流一代》，淡淡的剧情片
16:01 贾樟柯与娄烨新片体裁存在的相同之处
18:59 贾樟柯拍每部作品的习惯：“多拍一点”。正是这20年来多拍的东西积攒出来，构成了《风流一代》的主体内容
21:15 这部电影能把赵涛送上戛纳影后宝座吗？
24:15 科技创新线勾连时代变迁
26:20 震撼我的第一个镜头
32:18 巧巧之于大同：即是幽灵又是精灵
34:44 中国式奇观，艺术导演的“画框”
38:29 疫情让大城变为小镇
42:10 彩蛋
42:58 贾樟柯：“未来的电影会分为疫情前的电影和疫情后的电影”
44:54 “怎么总是找赵涛演啊？”
46:46 “龙标窗口期”，国产艺术电影的喘息之机
51:44 甜点
52:07 大尺度电影日
Shownotes in English:
Welcome to Douban.com to listen to the program related to “NonsenseFuel” 77th Cannes Film Festival, thanks to Douban!
As the only domestic film in the COMPETITON at Cannes this year, the premiere of Caught By Tides in the Lumière was a great gathering of Chinese filmmakers.
It's hard to describe the story of Caught By Tides in words, because each of us lives inside such a story. “Spend thirty years like this until the building collapses”.
In this episode, try to talk about this specific Jia Zhangke's movie, which is very different from his previous works. With 20 years of material accumulation, he inadvertently touched the future and the universal language of cinema.
This episode also contains an surprise in the form of the voice of Jia himself! At the Chinese-language media launch of Caught By Tides, I seized the opportunity to ask Jia Zhangke two questions: What kind of actor is Zhao Tao from the director's point of view? Why did he choose to look back at the turn of the century when “I've been there for 2,000 years”?
I hope to bring you different interpretations and information.
0:28 Appetizer
1:15 “Ticket mishaps” at the Cannes Film Festival
7:01 Theater Varda is recommended for those who don't have a ticket to take their chances, and for those who do have a ticket, we recommend coming early!
9:11 How to get in late for a movie in Europe?
12:25 Main course
14:12 Caught By Tides, a light drama.
16:01 The similarities between the genres of Jia Zhangke's and Lou Ye's new films
18:59 Jia Zhangke's habit of making each work: “shoot a little more”. It's what he has shot more of over the past 20 years that makes up the main body of Caught By Tides.
21:15 Can this movie put Zhao Tao on the Cannes throne?
24:15 The thread of technology and innovation connects the changing times
26:20 The first shot that blew me away
32:18 Qiaoqiao in Datong: a ghost and a spirit
34:44 Chinese spectacle, the art director's “frame”.
38:29 Epidemic turns big city into small town.
42:10 Bonus
42:58 Jia Zhangke: “The future of cinema will be divided into pre-epidemic and post-epidemic cinema.”
44:54 “Why do you always cast Zhao Tao?”
46:46 “Dragon Label Window Period”, a respite for domestic art films
51:44 Dessert
52:07 Big Scale Movie Day
