vol.8 策展人的台前幕后，画廊周北京，校准北京时间

探访当代错乱的时间下的艺术家、策展人以及艺术机构或者画廊工作者。重新校准“北京时间”是否能带给我们新的艺术启发？春夏现象级的艺术现场——画廊周北京2024，“漂留”，关注海内外艺术创作者自身的流动，带给艺术爱好者与工作者关于主体身份和工作方法的思考。

本期播客我们邀请到画廊周北京新势力单元“风的内侧”的策展人袁佳维分享展览背后的思考。兼顾学术性与公共性，从画廊周北京的议程到北京、乃至华人艺术世界的生态，策展人所处的艺术生态位能帮助我们看到什么新的气候？相较于上海而言，在地与国际机构、艺术家的合作又能够给我们的工作模式带来什么启发？当离散身份的讨论成为现状，艺术家怎么回应？展览作为独立策展人的命题作文，但也是当下最诗意的回响。

Explore the contemporary disarray of time through the eyes of artists, curators, and gallery workers. Can recalibrating China Standard Time (widely known as "Beijing Time") offer new artistic insights? This spring and summer, Gallery Weekend Beijing 2024, with its theme “Drift to Return”, invites art lovers and participants to reflect on the framework of identity politics and artists’ own working methods tied to their identities.

In this episode, we have Evonne JiaweiYuan, the curator of the Up&Coming Sector, "The Inner Side of theWind," to share the stories behind the exhibition. Balancing academic and public aspects, we delve into the agenda of Gallery Weekend and the broader ecosystem of Beijing as well as the Chinese art world. What can curators tell us about this contemporary art scene? Compared to the Shanghai model, how do collaborations between local/international galleries and artists change our working methods? As discussions on diasporic identity become the norm, how do artists respond? This sector serves as a curated essay by an independent curator, bringing to the fore the poetic resonances of our time to the status quo.